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Title: George Michael and Werewolves: How Babygirl Crafts a Soundscape of Desire
In the latest trailer for Halina Reijn’s erotic thriller Babygirl, it seems like nothing is off-limits in this twisted game of seduction. The film, which premiered at Venice Film Festival earlier this year, has already sparked whispers of controversy and scandal. But beneath its provocative surface, lies a rich tapestry of sound design that sets the tone for a deeply unsettling exploration of desire.
As Babygirl’s director Halina Reijn explained to Mashable in an exclusive interview, the film’s score is akin to “a Trojan horse of sexual tension.” And it’s not hard to see why – this isn’t your average erotic thriller. Nicole Kidman and Harris Dickinson star as two individuals who engage in a game of cat-and-mouse that becomes increasingly dangerous.
Babygirl’s soundtrack is, in many ways, a reflection of the film’s themes of power struggle and manipulation. The use of George Michael’s “Faith” in one scene perfectly captures the intensity and desperation that defines these characters’ interactions.
But what sets Babygirl apart from other films in this genre is its bold and unapologetic approach to depicting human desire. It’s a world where consent is an afterthought, and the line between pleasure and pain becomes increasingly blurred.
The film’s score perfectly captures the sense of unease that permeates every moment of Babygirl. It’s a soundscape that’s both alluring and unsettling – much like the characters themselves.
Source: mashable.com
