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The Release of the New Superman Movie Trailer Has Ignited a Debate Over IMAX Film Formats
In recent news, the long-awaited teaser trailer for the upcoming Superman movie has generated significant buzz and sparked controversy surrounding the use of IMAX film formats. The debate stems from the misguiding comments made by director James Gunn, who claimed that the new Superman film would be presented in its original format, which appears to be misleading.
To address this confusion, it is essential to clarify the different forms of IMAX film formats and their corresponding processes. In the realm of filmmaking, there are three distinct categories of IMAX experiences: Experience in IMAX, Filmed in IMAX, and Remastered in IMAX.
Firstly, Experience in IMAX refers to films that have been captured using IMAX-certified digital cameras or regular film stock but have gone through a proprietary Digital Media Remastering (DMR) process. This technique allows the movie to be upscaled and regraded for projection on large IMAX screens. Notably, this process is often conducted with the approval of the original director.
On the other hand, Filmed in IMAX denotes films that were shot using IMAX-certified digital cameras, such as James Gunn’s Superman (2005), which utilized an 8K IMAX-Certified camera by Henry Braham. This indicates that the movie has undergone no DMR process and is not The IMAX Experience.
Lastly, Remastered in IMAX refers to films that have been initially captured on non-IMAX-certified cameras or regular film stock but have been processed to appear as if it was shot with an IMAX camera. This can be a result of digital enhancement or other techniques used to improve the image quality for presentation on large screens.
While some may argue that this information is inconsequential, the confusion generated by director James Gunn’s statement highlights the importance of transparency regarding these formats. As filmmakers continue to use different methods and processes to create their work, it is crucial to accurately communicate the specifics surrounding the production and presentation of each film.
The debate has reached a boiling point as fans are left wondering whether Superman will be presented in 1.90:1 or if any sequences will be in 1.43:1, with the answer remaining uncertain at this time.
In my opinion, it is essential for filmmakers to address these misguiding comments and ensure that their audience understands the specifics of each film’s production process.
Source: www.forbes.com
